With a
little delay the gentlemen of Coppelius came on stage and fired without any
hesitation a fierce ‘Killers’ at the public. It was so powerful that even the
stage was vibrating. What a start! The audience was immediately caught by the
music. Strangely enough there were more people in front of the stage when
Coppelius played in comparison with the other artists, but who is surprised
about that?
It went
further with ‘Bitten, danken, petitieren’ – also a lot of old pieces were
played, for example ‘Innocent Exile’, that made the fans very happy. The
performance of ‘Rightful King’ was also very moving – people shouted with joy,
jumped, went wild, as it should be.
The
atmosphere was from the beginning extraordinary. A lot of people were looking
forward to see the gentlemen play after such a long time. And they did it
wonderful. They played their concert abstinence away. Especially with Max
Coppella one became the feeling that he was bursting with energy: one solo
after another, it whirled through the heads of the spectators, so that they
almost got dizzy – it was just amazing! My personal favourite ‘Habgier’ made
everyone lose themselves in the music. Powerful and very good performed. It was
so good, that a lot of the spectators in their enthusiasm forgot the world
around them.
Very well
played, bravo!
A ball,
blown up by Bastille, was thrown through the public and finally find its way
back to the stage. Also the ‘Advokat’ and ‘Schöne Augen’ were part of the
program, as well as ‘Escapade I’. And of course the audience participated in
the dazzling atmosphere. But also more calm pieces, as ‘Black is the colour’
were played. During the song, the audience was asked to be so friendly to sit
down. Most of the spectators did. Illegitimate burning of money was celebrated
during ‘Reichtum’, that Monsieur Le Comte still isn’t in prison…but we keep
quiet about it of course.
And as
always everything was over way to fast, but one has to say, it was very
powerful, very good. A successful come back into the festival season, one is
already looking forward to the next opportunities to see Coppelius performing!
About the acoustics:
the whole was acceptable, it was loud, as it should be. It was remarkable that
the corroborate bass voice of Le Comte Caspar came out much better than normal.
With the microphones there were some problems, but as for the rest everything
was good. Also in the last rows the sound in the Schloss at Osnabrück was good,
the voices were comprehensible, the audience enthusiastic. Sometimes there
could be heard a few scraping noises from the loudspeakers, but it didn’t harm
the cheerfulness of the audience.
At a small
merchandise stand the fans could support the band by buying their merchandise.
They could also meet some of the members, who, as always, like to make some
time for small talk after the concerts.
It was
really a pity, but not enough time was left to admire the adorable castle
garden. As a spectator one was too busy with the concerts and waiting in the
row to get a drink. Everything was overcrowded. Even if you waited for an hour,
there were still others in front of you and at last you had to give up without
a drink. Not even the card for the drinks could help. One could understand that
visitors were not allowed to take their own beverages with them, because the selling
of drinks was the only way the festival was financed by, but the way how it was
provided was for a lot of people really bad.
Altogether it
was very nice and it was really worth it to travel a long way to see the
concert! It’s really an option for the future, and thanks to the band Coppelius
for a marvellous concert!
ShvdK
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